{"id":246,"count":15,"description":"

\u00a0<\/h2>\r\n

ESTA SUBSECCI\u00d3N RECOPILA LOS TEXTOS LITERARIOS<\/a> QUE JORGE L\u00d3PEZ NAVARRO HA IDO INCORPORANDO A SUS INFORMES MENSUALES PARA LA OFICINA NOTARIAL<\/a><\/strong><\/span><\/h2>\r\n

\"libros-tapa-dura\"<\/p>\r\n

 <\/p>\r\n

IR A LA SECCI\u00d3N GENERAL RINC\u00d3N LITERARIO<\/a><\/span><\/h2>\r\n

(que recoge diversos recursos relacionados con las letras dentro de la web)<\/span><\/h2>\r\n

TEXTOS LITERARIOS<\/span> PUBLICADOS DE 2015 EN ADELANTE\u00a0<\/a><\/strong><\/span><\/p>\r\n

\u00a0<\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\u00a0<\/td>\r\nYuval Noah Harari<\/strong><\/span><\/td>\r\nHomo Deus<\/a><\/span><\/strong><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nRosal\u00eda de Castro<\/span><\/span><\/strong><\/span><\/td>\r\nEn las orillas del Sar<\/a><\/span><\/strong><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nP\u00edo Baroja<\/span><\/span><\/strong><\/span><\/td>\r\nCamino de perfecci\u00f3n<\/a><\/span><\/strong><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nErich Fromm<\/span><\/span><\/strong><\/span><\/td>\r\nEl arte de amar<\/a><\/span><\/strong><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nDaniel Foenkinos<\/strong><\/span><\/td>\r\nLes souvenirs<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nErich Fromm<\/span><\/span><\/strong><\/span><\/td>\r\nTener o ser, el fin de una ilusi\u00f3n<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nLe\u00f3n Felipe<\/span><\/span><\/strong><\/span><\/td>\r\nComo t\u00fa<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nManuel Toharia<\/strong><\/span><\/td>\r\nHistoria del Cosmos (el origen de la vida)<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nMiguel de Unanmuno<\/strong><\/span><\/td>\r\nNuevo Mundo<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nErich Fromm<\/strong><\/span><\/td>\r\nEl dogma de Cristo<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nAntonio Mu\u00f1oz Molina<\/strong><\/span><\/td>\r\nFormas de olvido<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nD\u00e1maso Alonso<\/strong><\/span><\/td>\r\nMujer con Alcuza (Hijos de la Ira)<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nManuel Hidalgo<\/strong><\/span><\/td>\r\nHacerse cargo. El exceso de informaci\u00f3n.<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nMiguel de Cervantes<\/strong><\/span><\/td>\r\nLo que sucedi\u00f3 a Don Quijote con unos cabreros<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nLorena Garrote<\/strong><\/span><\/td>\r\nLa Espa\u00f1a rural. Una vida sin letras.<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJuli\u00e1n Barnes<\/strong><\/span><\/td>\r\nNada que temer<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nFrancisco Umbral<\/strong><\/span><\/td>\r\nMortal y rosa<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nFrancisco Umbral<\/strong><\/span><\/td>\r\nCarta a mi mujer<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJos\u00e9 Manuel Caballero Bonald<\/strong><\/span><\/td>\r\nEnvejecer alarga la vida<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nNicanor Parra Sandoval<\/strong><\/span><\/td>\r\nHay un d\u00eda feliz<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nPhilippe Delerm\u00a0<\/strong><\/span><\/td>\r\nEl Cruas\u00e1n del Amanecer<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nCayetana Guill\u00e9n Cuervo<\/strong><\/span><\/td>\r\nEl \u00faltimo tren<\/a><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nUn cuento chino<\/span><\/strong><\/td>\r\nLa monta\u00f1a donde se abandonaba \u00a0a los ancianos<\/a><\/span><\/strong><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u00a0<\/p>\r\n

TEXTOS LITERARIOS<\/span> PUBLICADOS ENTRE 2005 Y 2014<\/a>:\u00a0<\/strong><\/span><\/p>\r\n

\u00a0<\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\u00a0<\/td>\r\nMiguel de Unamuno<\/span><\/span><\/strong><\/span><\/td>\r\nVer con los ojos<\/a><\/span><\/strong><\/span><\/td>\r\n1886<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nAntonio Machado<\/span><\/span><\/strong><\/span><\/td>\r\nTus ojos me recuerdan<\/a><\/span><\/span><\/strong><\/span><\/td>\r\n19<\/span>0<\/span><\/span>2<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nYuval Noah Harari<\/strong><\/span><\/td>\r\nDe animales a dioses...<\/a><\/strong><\/span><\/td>\r\n2014<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nG<\/span>illes<\/span> L<\/span>egardinier<\/span><\/strong><\/span><\/td>\r\nNous \u00e9tions les hommes<\/a><\/span><\/strong><\/span><\/td>\r\n2011<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nAntonio Machado<\/span><\/span><\/strong><\/span><\/td>\r\nA un olmo seco<\/a><\/span><\/span><\/strong><\/span><\/td>\r\n1912<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nAlbert Camus<\/span><\/span><\/strong><\/span><\/td>\r\nEl primer hombre<\/a><\/span><\/span><\/strong><\/span><\/td>\r\n1960<\/span><\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJordi Matas Dalmases<\/span><\/span><\/span><\/strong><\/span><\/td>\r\nProfesores asociados...y precarios<\/a><\/span><\/strong><\/span><\/td>\r\n201<\/span><\/span>4<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJeanne Siaud Facchin<\/span><\/span><\/strong><\/span><\/td>\r\n\u00bfDemasiado inteligente para ser feliz?<\/a><\/span><\/span><\/strong><\/span><\/td>\r\n1964<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJames Lord<\/span><\/span><\/strong><\/span><\/td>\r\nRetrato de Giacometti<\/a><\/span><\/strong><\/span><\/td>\r\n1964<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nP. M. Bataller<\/span><\/span><\/strong><\/span><\/td>\r\nEl D\u00eda del Padre<\/a><\/span><\/span><\/strong><\/span><\/td>\r\n2014<\/span><\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nAn\u00f3nima coreana<\/span><\/span><\/strong><\/span><\/td>\r\nCarta de amor<\/a><\/span><\/span><\/strong><\/span><\/td>\r\n1586<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nMiguel Gila<\/span><\/span><\/strong><\/span><\/td>\r\nLa tristeza de un c\u00f3mico<\/a><\/span><\/span><\/strong><\/span><\/td>\r\n\u00a0<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nBorja Vilaseca<\/span><\/span><\/strong><\/span><\/td>\r\nAdictos al ruido<\/a><\/span><\/span><\/strong><\/span><\/td>\r\n2013<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJordi Soler<\/span><\/strong><\/span><\/td>\r\nEl nuevo l\u00edder de la tribu<\/a><\/span><\/strong><\/span><\/td>\r\n2013<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nAlbert Camus<\/span><\/span><\/strong><\/span><\/td>\r\nLa mort heureuse<\/a><\/span><\/strong><\/span><\/td>\r\n1937<\/span><\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nEnrique Rojas<\/span><\/span> II<\/span><\/span><\/strong><\/span><\/td>\r\nSer aut\u00e9ntico en tiempos convulsos<\/a><\/span><\/span><\/strong><\/span><\/td>\r\n2013<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nEvgeny Morozov<\/span><\/span><\/strong><\/span><\/td>\r\nEl life-hacking<\/span><\/a><\/span><\/strong><\/span><\/td>\r\n2013<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nLauwrence M. Krauss<\/span><\/strong><\/span><\/td>\r\nEl Universo de la Nada<\/a><\/span><\/strong><\/span><\/td>\r\n2013<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nGeorge Moustaki<\/span><\/strong><\/span><\/td>\r\nLe m\u00e9teque<\/a><\/span><\/strong><\/span><\/td>\r\n1968<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nJos\u00e9 Caballero Bonald<\/span><\/strong><\/span><\/td>\r\nDiscurso Premio Cervantes<\/a><\/span><\/strong><\/span><\/td>\r\n2012<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nDavil Eagleman<\/span><\/strong><\/span><\/td>\r\nLas vidas secretas del cerebro<\/a><\/span><\/strong><\/span><\/td>\r\n2011<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nCarmen Laforet<\/span><\/strong><\/span><\/td>\r\nNada<\/a><\/span><\/strong><\/span><\/td>\r\n1944<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nSalvador Sostres<\/span><\/strong><\/span><\/td>\r\nSer padre<\/a><\/span><\/strong><\/span><\/td>\r\n2013<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAlfonso Costafreda<\/span><\/strong><\/span><\/td>\r\n\"Compa\u00f1era de hoy\"<\/a><\/span><\/strong><\/span><\/td>\r\n1966<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nJos\u00e9 Carlos de Luna<\/span><\/strong><\/span><\/td>\r\n\"El Piyayo\"<\/a><\/span><\/strong><\/span><\/td>\r\n1956<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nChristian Signol<\/span><\/strong><\/span><\/td>\r\n\u00bfPor qu\u00e9 el cielo es azul?<\/a><\/span><\/strong><\/span><\/td>\r\n2009<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nManuel V<\/span>icent<\/span><\/strong><\/span><\/td>\r\nLa piedra (el mito de S\u00edsifo)<\/a><\/span><\/strong><\/span><\/td>\r\n2012<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nYasmina Khadra\u00a0 II<\/span><\/strong><\/span><\/td>\r\nLo que el d\u00eda debe a la noche<\/a> 2<\/span><\/strong><\/span><\/td>\r\n2008<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nYasmina Khadra<\/span><\/strong><\/span><\/td>\r\nLo que el d\u00eda debe a la noche<\/a><\/span><\/strong><\/span><\/td>\r\n2008<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nEnrique Rojas<\/span><\/strong><\/span><\/td>\r\nLa importancia de la voluntad<\/a><\/span><\/strong><\/span><\/td>\r\n2012<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nRen\u00e9 Goscinny<\/span><\/strong><\/span><\/td>\r\nLas vacaciones del peque\u00f1o Nicol\u00e1s<\/a><\/span><\/strong><\/span><\/td>\r\n1955<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nMika Waltari<\/span><\/strong><\/span><\/td>\r\nSinuh\u00e9 el egipcio<\/a><\/span><\/strong><\/span><\/td>\r\n1964<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nGerd Theissen<\/span><\/strong><\/span><\/td>\r\nLa sombra del Galileo<\/a><\/span><\/strong><\/span><\/td>\r\n1987<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nMuriel Barbery<\/span><\/strong><\/span><\/td>\r\nLa elegancia del erizo II<\/a><\/span><\/strong><\/span><\/td>\r\n2007<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nTheodore Zeldin<\/span><\/strong><\/span><\/td>\r\nHistoria \u00edntima de la humanidad<\/a><\/span><\/strong><\/span><\/td>\r\n1994<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nPedro Salinas<\/span><\/strong><\/span><\/td>\r\n\u00bfSer\u00e1 amor un largo adi\u00f3s...?<\/a><\/span><\/strong><\/span><\/td>\r\n1936<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nSalvador Sostres<\/span><\/strong><\/span><\/td>\r\nHistoria de un reloj<\/a><\/span><\/em><\/strong><\/span><\/td>\r\n2011<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nDavid Foenkinos<\/span><\/strong><\/span><\/td>\r\nLes souvenirs<\/a><\/span><\/em><\/strong><\/span><\/td>\r\n2011<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nTomas Transtr\u00f6mer<\/strong><\/span><\/td>\r\nLos recuerdos<\/a><\/em><\/strong><\/span><\/td>\r\n1996<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAntonio<\/span> Machado II<\/span><\/strong><\/span><\/td>\r\nEl viajero y El ma\u00f1ana efimero<\/span><\/em><\/a><\/span><\/strong><\/span><\/td>\r\n1907<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nJan Dobracznski<\/strong><\/span><\/td>\r\nCartas de Nicodemo<\/a><\/i><\/strong><\/span><\/td>\r\n1958<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nGeorge Orwell<\/strong><\/span><\/td>\r\n1984<\/a><\/i><\/strong><\/span><\/td>\r\n1949<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nWenceslao Fern\u00e1ndez Flores<\/strong><\/span><\/td>\r\nEl malvado Carabel<\/a><\/i><\/strong><\/span><\/td>\r\n1931<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nPatrick Lapeyre<\/strong><\/span><\/td>\r\nLa vida es breve y el deseo infinito<\/a><\/i><\/strong><\/span><\/td>\r\n2010<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nF. J.<\/strong><\/span><\/td>\r\nMi hijo tiene S\u00edndrome de Down,<\/a><\/i><\/strong><\/span><\/td>\r\n1997<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nStephen Hawking<\/strong><\/span><\/td>\r\nEl gran Dise\u00f1o<\/a><\/i><\/strong><\/span><\/td>\r\n2010<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nBoris Pasternak<\/strong><\/span><\/td>\r\nDoctor Zhivago<\/a><\/i><\/strong><\/span><\/td>\r\n1957<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nEnrique Rojas Montes<\/strong><\/span><\/td>\r\nLa lucidez del perdedor<\/a><\/i><\/strong><\/span><\/td>\r\n2010<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nMario Vargas Llosa<\/strong><\/span><\/td>\r\nDiscurso de aceptaci\u00f3n del Premio Nobel<\/a><\/i><\/strong><\/span><\/td>\r\n2010<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAntonio Damasio<\/strong><\/span><\/td>\r\nY el cerebro cre\u00f3 al hombre<\/a><\/i><\/strong><\/span><\/td>\r\n\u00a0<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nCarlos Salas<\/strong><\/span><\/td>\r\nEl futuro de los hijos.<\/a><\/i><\/strong><\/span><\/td>\r\n2010<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nElvira Lindo<\/strong><\/span><\/td>\r\nDolor de coraz\u00f3n<\/a><\/i><\/strong><\/span><\/td>\r\n2010<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nJoan Maragall<\/strong><\/span><\/td>\r\nElogi del viure<\/a><\/i><\/strong><\/span><\/td>\r\n1898<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nSoledad Pu\u00e9rtolas<\/strong><\/span><\/td>\r\nEl cuento de la gallina petirroja<\/a>.<\/i><\/strong><\/span><\/td>\r\n2001<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nBill Bryson<\/span><\/strong><\/span><\/td>\r\nPeque\u00f1a historia de casi todo.<\/a><\/i><\/strong><\/span><\/td>\r\n2003<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nFrancis Dannemark<\/span><\/strong><\/span><\/td>\r\nMejor que llueva<\/a><\/span><\/i><\/strong><\/span><\/td>\r\n1998<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nRabindranath Tagore<\/span><\/strong><\/span><\/td>\r\nCuentos cortos<\/a><\/span><\/i><\/strong><\/span><\/td>\r\n1877<\/span><\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nPedro Garc\u00eda Cuartango<\/strong><\/span><\/td>\r\nLa ilusi\u00f3n de la perdurabilidad<\/a><\/i><\/strong><\/span><\/td>\r\n2010<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nCicer\u00f3n<\/strong><\/span><\/td>\r\nPrimera Catilinaria<\/a><\/i><\/strong><\/span><\/td>\r\n63 a.C<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAlmudena Grandes<\/strong><\/span><\/td>\r\nPalabras de amor.<\/a><\/i><\/strong><\/span><\/td>\r\n2009<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nRen\u00e9 Goscinny<\/strong><\/span><\/td>\r\nEl peque\u00f1o Nicol\u00e1s.<\/a><\/i><\/strong><\/span><\/td>\r\n1955<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nMiguel de Unamuno<\/strong><\/span><\/td>\r\nDiscurso del D\u00eda de la Raza.<\/i><\/a><\/strong><\/span><\/td>\r\n1936<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nNicanor Parra<\/strong><\/span><\/td>\r\nPoemas y antipoemas<\/i><\/a><\/strong><\/span><\/td>\r\n1954<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAlbert Camus<\/strong><\/span><\/td>\r\nEl extranjero<\/i><\/a><\/strong><\/span><\/td>\r\n1942<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nIgor y Grichka Bogdanov<\/strong><\/span><\/td>\r\nEsc\u00e1ndalo Bogdanov: Big Bang<\/i><\/a><\/strong><\/span><\/td>\r\n2002<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nMayo del 68<\/strong><\/span><\/td>\r\nPennac - Vargas Llosa -Asenjo.<\/i><\/a><\/strong><\/span><\/td>\r\n1968<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nDaniel Pennac<\/strong><\/span><\/td>\r\nEl fracaso escolar.<\/i><\/a><\/strong><\/span><\/td>\r\n\u00a0<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nJohn Micklethwait<\/strong><\/span><\/td>\r\nEl regreso de Dios.<\/i><\/a><\/strong><\/span><\/td>\r\n2009<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nKhalil Gibran<\/strong><\/span><\/td>\r\nEl profeta.<\/i><\/a><\/strong><\/span><\/td>\r\n1923<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nRichard Dawkins<\/strong><\/span><\/td>\r\nEl gen ego\u00edsta.<\/i><\/a><\/strong><\/span><\/td>\r\n1976<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAndr\u00e9 Maurois<\/strong><\/span><\/td>\r\nHistoria de Inglaterra.<\/i><\/a><\/strong><\/span><\/td>\r\n1937<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nManuel Machado<\/strong><\/span><\/td>\r\nCastilla. Ocaso.<\/i><\/a><\/strong><\/span><\/td>\r\n\u00a0<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nFundaci\u00f3n Edge<\/strong><\/span><\/td>\r\n\u00bfQu\u00e9 cosas cambiar\u00e1n el mundo?<\/i><\/a><\/strong><\/span><\/td>\r\n2009<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAlbert Einstein<\/strong><\/span><\/td>\r\nDios no juega a los dados<\/i><\/a><\/strong><\/span><\/td>\r\n1915<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAzor\u00edn<\/strong><\/span><\/td>\r\nConfesiones de un peque\u00f1o fil\u00f3sofo<\/i><\/a><\/strong><\/span><\/td>\r\n1904<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nRub\u00e9n Dar\u00edo<\/strong><\/span><\/td>\r\nSonatina<\/i><\/a><\/strong><\/span><\/td>\r\n1896<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nMariano Jos\u00e9 de Larra<\/strong><\/span><\/td>\r\n\u00a1Vuelva usted ma\u00f1ana!<\/i><\/a><\/strong><\/span><\/td>\r\n1832<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nRam\u00f3n de Campoamor<\/strong><\/span><\/td>\r\n\u00a1Qui\u00e9n supiera escribir!<\/i><\/a><\/strong><\/span><\/td>\r\n1844<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nErich Fromm<\/strong><\/span><\/td>\r\n\u00bfTener o ser?<\/i><\/a><\/strong><\/span><\/td>\r\n1976<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nJoseph Rudyard Kipling<\/strong><\/span><\/td>\r\nIf<\/a><\/i><\/strong><\/span><\/td>\r\n1895<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nMuriel Barbery<\/strong><\/span><\/td>\r\nLa elegancia del erizo<\/a><\/i><\/strong><\/span><\/td>\r\n2007<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nJos\u00e9 Agust\u00edn Goytisolo<\/strong><\/span><\/td>\r\nPalabras para Julia.<\/a><\/i><\/strong><\/span><\/td>\r\n1979<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAntoine de Saint-Exup\u00e8ry<\/strong><\/span><\/td>\r\nEl Peque\u00f1o Pr\u00edncipe.<\/a><\/i><\/strong><\/span><\/td>\r\n1943<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nFrancisco Umbral<\/strong><\/span><\/td>\r\nMortal y rosa.<\/a><\/i><\/strong><\/span><\/td>\r\n1975<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\n\u00c1ngel Gonz\u00e1lez.<\/strong><\/span><\/td>\r\n\u00c1spero mundo.<\/a><\/i><\/strong><\/span><\/td>\r\n1956<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nMichel del Castillo<\/strong><\/span><\/td>\r\nLa falsa vida.<\/a><\/i><\/strong><\/span><\/td>\r\n2007<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nAmos Oz<\/strong><\/span><\/td>\r\nLa mujer de la ventana.<\/a><\/i><\/strong><\/span><\/td>\r\n2007<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nJerome David Salinger<\/strong><\/span><\/td>\r\nEl guardi\u00e1n entre el centeno.<\/a><\/i><\/strong><\/span><\/td>\r\n1951<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nCamilo Jos\u00e9 Cela<\/strong><\/span><\/td>\r\nLa familia de Pascual Duarte<\/a><\/i><\/strong><\/span><\/td>\r\n1942<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJo Petty<\/strong><\/span><\/td>\r\nApples of Gold<\/a><\/i><\/strong><\/span><\/td>\r\n\u00a0<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nMiguel Hern\u00e1ndez<\/strong><\/span><\/td>\r\nEleg\u00eda a Ram\u00f3n Sij\u00e9.<\/a><\/i><\/strong><\/span><\/td>\r\n1912<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nAntonio<\/span> Machado<\/strong><\/span><\/td>\r\nRetrato.<\/a><\/i><\/strong><\/span><\/td>\r\n1912<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nAntonio Gamoneda<\/strong><\/span><\/td>\r\nDespu\u00e9s de veinte a\u00f1os.<\/a><\/i><\/strong><\/span><\/td>\r\n1982<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJuan Ram\u00f3n Jim\u00e9nez<\/strong><\/span><\/td>\r\nPlatero y yo<\/a><\/i><\/strong><\/span><\/td>\r\n1914<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nFernando Pessoa<\/strong><\/span><\/td>\r\nEl Libro del desasosiego<\/a><\/i><\/strong><\/span><\/td>\r\n1923<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nHermann Hesse<\/strong><\/span><\/td>\r\nEl Lobo estepario.<\/a><\/i><\/strong><\/span><\/td>\r\n1928<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJaime Gil de Biedma<\/strong><\/span><\/td>\r\nT\u00b4entroduire dans mon histoire<\/a><\/i><\/strong><\/span><\/td>\r\n1968<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nManuel Ben\u00edtez Carrasco<\/strong><\/span><\/td>\r\nEl perro cojo<\/a><\/i><\/strong><\/span><\/td>\r\n1955<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nGustavo Adolfo B\u00e9cquer<\/strong><\/span><\/td>\r\nEl rayo de luna<\/a><\/i><\/strong><\/span><\/td>\r\n1862<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nStephen Hawking<\/strong><\/span><\/td>\r\nHistoria del Tiempo<\/a><\/i><\/strong><\/span><\/td>\r\n1988<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nP\u00edo Baroja<\/strong><\/span><\/td>\r\nCamino de perfecci\u00f3n<\/a><\/i><\/strong><\/span><\/td>\r\n1901<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJos\u00e9 Ortega y Gasset<\/strong><\/span><\/td>\r\nLa Espa\u00f1a invertebrada 2<\/a><\/i><\/strong><\/span><\/td>\r\n1921<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJos\u00e9 Ortega y Gasset<\/strong><\/span><\/td>\r\nLa Espa\u00f1a invertebrada<\/a><\/i><\/strong><\/span><\/td>\r\n1921<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nPablo Neruda<\/strong><\/span><\/td>\r\nVeinte poemas de amor y una canci\u00f3n desesperada.<\/a><\/i><\/strong><\/span><\/td>\r\n1924<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nMiguel de Unamuno<\/strong><\/span><\/td>\r\nSan Manuel Bueno, M\u00e1rtir.<\/a><\/i><\/strong><\/span><\/td>\r\n1930<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nJos\u00e9 Mar\u00eda Gabriel y Gal\u00e1n<\/strong><\/span><\/td>\r\nEl embargo<\/a><\/i><\/strong><\/span><\/td>\r\n1902<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/td>\r\nMatilde<\/strong><\/span><\/td>\r\nCarta de amor - testamento.<\/a><\/i><\/strong><\/span><\/td>\r\n1918<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/i><\/i><\/strong><\/span><\/td>\r\nMiguel de Cervantes<\/strong><\/span><\/td>\r\nTestamento de El Quijote.<\/a><\/i><\/strong><\/span><\/td>\r\n1605<\/strong><\/span><\/td>\r\n<\/tr>\r\n
\u00a0<\/strong><\/span><\/td>\r\n\u00a0<\/strong><\/span>\u00a0<\/span>\u00a0<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u00a0<\/p>\r\n

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